Pillanatnál olvastam a Cinema Paradiso filmről.
Végig vártam a katarzist, de valahogy nem akart eljönni és akkor az utolsó pár perc...olyan súlyos volt, hogy nem tudtam megszólalni a sírástól...
Biztos mindenkinek más jön le, ami nekem megragadt, pár gondolat:
-az élet nem olyan, mint a filmekben, nem sikerül minden úgy, ahogy elterveztük
-és csak címszavakban: türelem, barátság, szeretet, ajándékozás, ígéret...
(Bár sejtem, hogy én valami rövidebb változatát láttam a filmnek, nem tudom a hosszabb változat miben más.)
Nagyon szép film...de beszélni soha nem tudtam ilyen dolgokról, ezeket át kell érezni.
Hű, de rég láttam már ezt a filmet, gimiben kötelező volt. Annyit tudok, hogy tetszett.
VálaszTörlésThe film exists in multiple versions. It was originally released in Italy at 155 minutes, but poor box office performance in its native country led to its being shortened to 123 minutes for international release; it was an instant success.[7] This international version won the Special Jury Prize at the 1989 Cannes Film Festival[8] and the 1989 Best Foreign Language Film Oscar. In 2002, the director's cut 173-minute version was released (known in the U.S. as Cinema Paradiso: The New Version).
Extended cut[edit]
In the 173-minute version of the film, after the funeral, Salvatore glimpses an adolescent girl who resembles the teenage Elena. He follows the teen as she rides her scooter to her home, which allows Salvatore to contact his long-lost love Elena, who is revealed to be the girl's mother. Salvatore calls her in hopes of rekindling their romance; she initially rejects him, but later reconsiders and goes to see Salvatore, who was contemplating his rejection at a favorite location from their early years. Their meeting ultimately leads to a lovemaking session in her car. He learns that she had married an acquaintance from his school years, who became a local politician of modest means. Afterwards, feeling cheated, he strives to rekindle their romance, and while she clearly wishes it were possible, she rejects his entreaties, choosing to remain with her family and leave their romance in the past.
During their evening together, a frustrated and angry Salvatore asks Elena why she never contacted him or left word of where her family was moving to. He learns that the reason they lost touch was because Alfredo asked her not to see him again, fearing that Salvatore's romantic fulfillment would only destroy what Alfredo sees as Salvatore's destiny – to be successful in film. Alfredo tried to convince her that if she loved Salvatore, she should leave him for his own good. Elena explains to Salvatore that, against Alfredo's instruction, she had secretly left a note with an address where she could be reached and a promise of undying love and loyalty. Salvatore reveals that he never knew of her note, and thus lost his true love for more than thirty years. The next morning, Salvatore returns to the decaying Cinema Paradiso and frantically searches through the piles of old film invoices pinned to the wall of the projection booth. There, on the reverse side of one of the dockets, he finds the handwritten note Elena had left thirty years earlier.
The film ends with Salvatore returning to Rome and viewing the film reel that Alfredo left, tears in his eyes.